![]() Together with the integrated 6-band Post-EQ, designing your own unique reverbs in your chosen style or character has never been easier.Ī true peak limiter is an essential tool in the studio for any mastering or mixing engineer. ![]() Since it uses parametric EQ bands instead of a traditional crossover system, Pro-R provides you with much more flexibility to shape the decay time characteristics. To simulate this the industry-first Decay Rate EQ concept in FabFilter Pro-R offers you complete free adjustment of the decay time over the frequency spectrum. The decay time of a real room often varies widely over the frequency spectrum, which is one of the key ingredients of a room’s reverb character. Enter FabFilter’s Pro R.įabFilter Pro-R takes a musical approach to reverb offering you user-friendly, non-technical controls like Brightness, Character and Distance to achieve the reverb sound you are looking for without the need to possess a degree in reverb science beforehand. ![]() A truly great reverb should sound natural and sit in the mix perfectly whilst not confusing you with over-technical controls and should be set up rather easily. Reverb comes in all forms and flavours and is one of the most used effects in the whole of the audio world. This includes FabFilter Pro-R, FabFilter Pro-L 2, FabFilter Pro-MB, FabFilter Pro-Q 3, FabFilter Pro-C 2, FabFilter Pro-DS, FabFilter Pro-G, FabFilter Saturn 2, FabFilter Twin 2, FabFilter Timeless 3, FabFilter Volcano 2, FabFilter One, FabFilter Simplon, FabFilter Micro Great for EQing individual sound sources like kicks, snares, bass, voice, sax, guitars etc.The Total Bundle is a set of all FabFilter plug-ins. It's extremely easy to carve out huge chunks of frequencies with this thing. For me, it's become mostly an utility tool and it's been my main character EQ since the beta started. then trigger all of this with MIDI Note-on messages.Ħ) Envelope followers with transient detection lets you modulate every crazy parameter with your audio source.Īt it's heart though, it's mostly been thought of as a basic filter plugin. Use one filter as the oscillator (or two!) and then filter it with another in series. Heck, you can even build your own mini "synth" within Volcano 3 if you so desire. Easy to do in Volcano 3.ġ) Create our own crazy phasers/flangers/chorusesģ) Glitch effects where time and pitch can be manipulated (using the delay)Ĥ) MIDI Triggered mayhem where you can "play the plugin" with a midi keyboard, using modwheel and pitch wheel to further modulate things.ĥ) Truly self-oscillating filters which can then be used as oscillators. ![]() or why not a transient based EQ? Only want that bass boost on the initial transient of your kick? No problem. or timing differentiation)Ĥ) A great sounding non-linear 4 band semi-parametric EQ (you don't have full control over the Q, thus semi-parametric) which can have all kinds of serial, parallel and hybrid routings (all sounding very different from one another).Ħ) Tempo synced stuff to add some life into audio sources or to accentuate thingsħ) Envelope followers with built in transient mode makes it extremely easy to create your own transient designer. With version 3 it has further evolved in all directions.ġ) Good selection of non-linear basic filter shapes (hpf, bpf, lpf and notch)Ģ) Create your own gate/compressor/auto-pan/auto-filterģ) Complex panning (using phase or frequency differentiation. Volcano 2 evolved the plugin to become a true workhorse of utility and creative sound design. Back then it simply had the filter from FabFilter One (with some tweaks as it could do BPF and HPF). It all started with Volcano 1, which was their 2nd ever plugin.
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